Comic Review: The Dreaming (2018-) #5

The Dreaming (2018-) #5

Vertigo

Writer: Simon Spurrier

Artist: Bilquis Evely & Abigail Larson

The Dreaming, part of Neil Gaiman’s Sandman Universe, has been a bit of a drudge for the past few issues. However, in issue 4, where it became more interesting, things were looking up. Now issue 5 is out, and it has exceeded expectations.

First, the story should be discussed, as it is narrated by someone who manages to watch it all. This allows the book to go to different realms quite easily. In addition to this, it allows the reader to learn about the origin of certain creatures, as is in previous issues. It is also used to further demonstrate the problems of the Dreaming due to Daniel no longer being there. Often, narration feels hollow. However, in this case, it does not due to the emotionally distant aspect of this one, it helps the reader to be unsure about the narrator. The emotional distance of the narration also aids to help with a reveal that happens, albeit it is predictable, which is the main flaw for this issue. However, the emotion that the reader feels despite the distance of the narrator must be commended.

The characters shine in this issue, and Spurrier must be applauded for this. All the characters, with the exception of one, feel real. They exhibit the right emotional responses, and partly this is because of the art, but it simply works. The Judge’s paranoia feels earned, as he’s just been betrayed and is willing to do anything to keep The Dreaming from falling. This paranoia does bring the reader to make the connection between him and various dictators known for their paranoia, such as Stalin and Hitler, as will be further discussed with the art. The disparity between what the characters should be in their normal state, and what they are due to The Judge, is saddening. The one character where the disparity does not involve them cannot aid the situation, which implies a grim atmosphere. Finally, the narrator is emotionally distant throughout until the very end. At this point, it becomes emotional and pulls the reader in.

Finally, the art is exceptional. The colouring, which ranges from a beige colour for the realm of Destruction, to a white palette near the end is impressive. My one issue is that certain faces near the start seem to be a bit odd, yet that was only after having to look to find fault with it. Otherwise, the faces are great. The Judge’s and Dream’s face are standouts and convey fear and awe respectively. The World War imagery feels earned, as stated before, and in addition to the paranoia of The Judge. The 20th-century outfits of the soldiers further this warlike atmosphere. The end evokes emotion, and while I cannot describe it, the art elevates the superb writing.

In conclusion, it all meshes perfectly and should be on anybody’s subscription list, especially a fan of the Sandman Universe.